On Timeframes & the Subjectivity of Comfort
It took me considerably longer than I had anticipated to save up the funds to print this fashion issue. As the months went by I realized I had an issue with fashion: What does it mean to be current or seasonally accurate when something is realized many months after its conception? Big fashion houses forecast like 3 years in advance. How can anyone know what they will be into in 3 years? Our cells regenerate at such a rate that our bodies will be composed of 50% entirely different matter 3 years from now! I only know what I want to wear the day I put it on. Fashion is the most personal and subjective of expressions.
It’s funny what things make you feel like you are expressing yourself. I tend to think I’m making a statement when I wear my pajamas to the grocery store. Am I a Big Lebowski style wasteoid or cutting edge normcore? So easy to keep ‘em guessing! I guess the point is that being comfortable in your body–and, by association, the materials covering it–is the essence of fashion.
Comfort is subjective also. In the 1980’s someone asked Michael Jackson why he wore tape around his fingers during performances. His answer was that it was comfortable. I totally get that. Sometimes the most comfortable thing is to wear a complicated skintight onesie, other times it’s jammie-jams in Ralph’s. I have had whole months where it felt right to wear a roll of blue masking tape like a bracelet on my upper arm. You have to just honor these impulses without judgment.
Kate Johnston
Los Angeles, November 2014









Contributors
Adam Overton
hot topics for hot pockets (2010), p.37
http://uploaddownloadperform.net/AdamOverton/HotTopicsForHotPockets
Andrew Berardini
Denim, p.1920
andrewberardini.info
Ania Diakoff
& Laura Bernstein
Play Pant, p.27–33
Bailey Salisbury
Psycho Fabrics A-Z, p.54–58
Bethany Ayres
Leather Pants, p.8
Betty Nguyen
Joan Armatrading’s “No Nonsense
Trousers,” p.22–23,
Gold Kelley #1 p.60,
LAContemporary.org
Calvin Marshall
untitled, p.24
Chantal deFelice
Unbalance Him With Your Fury, p.7
lookingforwardtobeingattacked.com
Christina Sanchez
Hot Pants, p.54–58
curiouskina.com
Cindy Rehm
Action Pants, p.53
Divided Daughters
Adverts, p.2 & 62
Edith Abeyta
Poetry Pants No.1
(A Life Sentence
by Janet Frame), p.8
Eileen Hsu
How to Try On a Pair of Jeans, p.38
eileenhsu.com
Frau Fiber
& Carole Frances Lung
The Fashion of Mending, p.67
fraufiber.wordpress.com
carolefranceslung.org
Gilda Davidian
Taking up Arms, p.20–21
Harpreet Kaur
Antsy, p.63
Jiro Maestu
Fuzzy Pants, Cover
83-jiro.tumblr.com
Katherine Fontaine
What Happened After
Cargo Shorts, p. 16–18
carvilleannex.com
Kodi Fabricant
Not Clean Not Dirty, p.36
kodifabricant.com
Leah Dieterich
A Pattern for Living, p.40
Liz Plambeck
Some Thoughts on Being a
Pants Maker, p.8
info@universalpants.com
Masato Nakada
Musical Chair, p.59,
The Pants Dance, p.61
wonder-level.org
Matt MacFarland
“Dark Pants,” Panel, p.6
mattiemac.com
Osei-Duro
Advert, Back Cover
oseiduro.com
Otherwild
Sisterhood, p.43–52
otherwild.com
Reb L Limerick
Ants In ALL My Pants, p.66
RebLart.com
Rowena Sartin
Leg Frames, p.11–15
rowenasartin.com
Sarah M. Balcomb
A Formula for Fiction, p.39
Thea Lorentzen
Ants, p.66